Discourse in Othello Essay Example

Discourse in Othello Paper Language Is, arguably, the primary defining feature that separates humanity from the rest of the animal kingdom. It has allowed the classification of our known universe. And the subsequent formation of an abstract body of collective intelligence. Language also has the power to persuade and seduce, which has resulted in a dynamic understanding of our feeling and emotions. Due to the fundamental function of language to Interpret and understand the complexities of our own social system, it follows that ways of speaking about specific ideas and beliefs are instrumental in the formation and manipulation of ideologies in such a system. In the context of Othello, Moor of Venice, discourse around gender works to both reinforce and challenge the dominant assumptions of patriarchal society through the normalization and empowerment of primary female characters. The Elizabethan era marked an interesting period in the history of gender dynamics. Although the role of women In society was still very limited, the highly Intelligent Queen Elizabeth Inspired a spike In womens education. Gender expectations were precise: men were the breadwinners and women raised the children and maintained the household. However, the era did witness the emergence of female artists; for example, female writers were often contracted to transcribe religious works, and a painter by the name of Leviathan Terrible was even contracted by Henry VIII, Mary and Elizabeth. The intellectually liberal Renaissance movement gained momentum during this time, and as the empires female figurehead became ever more revered, the affluent members of society hired private tutors to provide education for their wives and daughters as It was still unacceptable for women to attend school or university. We will write a custom essay sample on Discourse in Othello specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Discourse in Othello specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Discourse in Othello specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Women rarely had the money to fund their own education, with the exception of lethal heiresses and the monarchy, as they were unable to enter respected professions or inherit land titles. Due to an overarching belief that women were the weaker sex, It was considered Important for them to by looked after by a man; which resulted in marriage being the unquestioned goal of all girls. Despite many depictions of abusive marriages at the time, it was expected that while the man was the head of the relationship, his role was to care for the woman. Should she need chastising, he was never to be cruel or harm her; and abuse resulted In prosecution. Its important to understand these social conditions when analyzing the position of women in Othello, as the dynamics of gender inequality are a direct result of the context in which they exist. As a result of misogynistic discourse In the play, the female characters are marginals; portrayed as uncontrollable, deceiving, dishonest, and unfaithful. The censorship of female action by men who own them is made clear by the questioning of female virtue and honesty; fathers, from hence trust not your daughters mulled By what you see them act. Othello claims that the curse of marriage Is that [men] an call these delicate creatures [theirs], and not their appetites! This language clearly positions women as innately promiscuous objects to be owned, in this case by I OFF were comparable too dogs in regards to their lack of control, however the pairing with delicate implies some form of desirability. Such language constructs women as pretty, fickle beings, which continues to reinforce their inferior position as slaves to their mans impulses. Emilie initially supports this assumption by enabling Lagos fantasies by stealing Adhesions handkerchief, claiming that that My wayward Cubans hat h a hundred times wooed me to steal it ND I nothing, but to please his fantasy. The roots of such assumptions find themselves firmly planted in The Bible, where the beautiful Eve was not only created at the whim of Adam, but her inability to resist temptation was to blame for his subsequent suffering. These misogynistic themes are echoed in Adhesions self-proclaimed divided duty to noble father and noble Moor, as well in the suggestion that Othello fall from grace is all because of Adhesions suggested inability to resist Cassias seduction. Gags intentioned accusation of her as the cunning where of Venice unjustly vilifies her, and ultimately results Othello deciding that she must die, else shell betray more men. This is supported by Dampen Callaghan writing in Women and Gender in Renaissance Tragedy that makes the point that misogynistic discourse leads, directly or indirectly, to the death of the female. The kind of language she is referring to is no more evident that in the momen ts preceding Adhesions death, when Othello refers to her as perjured woman, strumpet, where, false, a liar, and foul. The play questions the sexual morality of women right from the beginning, and the plot is centric to the assumption that one can easily be framed to make women false; which is reinforced by by Lagos accusation that women are players in your housewifely, and housewives in your beds, meaning that they are more dedicated to sexual pursuit than to the duties of the marital house. These beliefs, although shocking to modern audiences, were accepted without question at the time of production because Elizabethan ideology was saturated with patriarchal and misogynistic assumptions. It seems illogical that the women in Othello, who express themselves as virtuous, independent, and articulate despite their normalization, would put up with such extreme treatment without some sort of objection. Shakespearian works are renowned for the avocation of movements that were controversial at the time; and although Othello provides copious examples of womens submission to the dominance of patriarchal views, the female characters do express their desire for gender equality. In such times, the tone of their dialogue changes from submissive to empowered, which Just shows how remarkable the power of language is in repeating ideas and beliefs. For example, Desman demands to accompany Othello to the battleground of Cypress, claiming that its her rite of love, not duty, as a wife to accompany her husband to war. Her decisive language represents the independent personalities of the female minority at the time that objected to blatant objectification and suppression by the patriarchy. At one of the most shocking moments of the play, when Othello strikes his wife, she does not revert to self-blame as in the majority of the play, and instead defends her virtue by decisively stating, I eve not deserved this. However it is Emilie who serves as the best example of a when complaining to Ago that Othello has borrowed Desman, saying that A beggar in his drink could not have laid such terms upon his called and condemning the cogging, cozening slave who she blames for having devised this slander. This example of strong, empowered language is the first indication that she doesnt conform to the subservient woman expectation, and she continues to defend Adhesions virtue to her dying breaths; saying that she was chaste. Towards the inclusion of the play, she goes farther than any other character to subvert the dominant misogynistic discourse, and advocates for the consideration of gender equality. L do think it is their husbands faults if wives do fall she says, Let husbands know their wives have sense like them. This is the only time in the play where female characters dominate the stage for a significant about of time, free to speak without the constraints of patriarchal expectation. They challenge the cultural stereotype of women as graceful and devoid of the typically masculine traits; saying, why we have galls; and though we have some grace, yet we have some revenge. Although being vulnerable to violent temptations may not necessarily be desirable, to strip a gender of an entire human experience is degrading, and would have seriously contributed to the distorted power distribution that resulted in the unequal treatment of women in Elizabethan society. The discourse around gender in Othello, Moor of Venice works to both marginals and empower the primary female characters; which in turn presents conflicting presentations of Elizabethan society in terms of patriarchal dominance. For the majority of the play, the women of the text are excluded from the use powerful discourse, and hence are constructed as mindless conformations to the archetype of the victimizes Elizabethan woman. They are treated like objects to be owned by the dominant male characters, and are vilified as a result of unfounded, misogynistic slander. Additionally, the apparently unpredictable and uncontrollable nature of female sexuality is seen to undermine male authority, eliciting further discrimination. Although attempts are made by women to assert their rights as equals through the adoption of a more powerful discourse, it is either ignored, or only done in an exclusively female environment; which does nothing to challenge either their normalization or the assumptions of patriarchal dominance. As a modern audience, we can appreciate this injustice; however such a suggestion was ground breaking in Shakespearean time. As such, it is evident that the treatment of gender bias in Othello establishes the play as typical the Elizabethan era, but also revolutionary in its suggestion that society should function in any other way.

Police Brutality Essays - Police Brutality In The United States

Police Brutality Essays - Police Brutality In The United States Police Brutality Racism and police brutality goes hand in hand, and causes a major concern in today's society, in the United States. On March 3, 1991 in California, Rodney King an African American, was pulled over after a high-speed chase, and after stopping was beaten by four white police officers (Worsnop 635). Tracy Brock also an African American was arrested in Manhattan in November of 1986. An officer smashed his head through a plate glass window, when Brock refused to go into the officers lunchroom (Police Brutality and Excessive Force in the New York City Police Department 14). Ki Tae Kim a Korean grocer was assaulted when he was accused of passing a counterfeit bill. He was punched in the face, his head was slammed into the counter, and the officer also subjected him to racial slurs (Police Brutality and Excessive Force in the New York City Police Department 17). Marcos Maldonado a Latino grocer was mistaken for a suspect after an armed robbery to his store. He was handcuffed, thrown to the f loor, repeatedly kicked, and beaten with the officers nightstick (Police Brutality and Excessive Force in the New York City Police Department 17). Abner Louima a Haitian immigrant was arrested outside a dance club in Brooklyn, and was brutally assaulted when he arrived at the police station. Volpe a long time police officer was accused of shoving a plunger into Louima's rectum so far that his bladder and intestines were lacerated. Then he shoved the plunger into Louima's mouth and broke his teeth (Steinback 8). These are just a few examples of the people who were affected of police brutality, and racism. There are five stages through which force can progress and lead to brutality: Verbal persuasion, unarmed physical force, force using non-lethal weapons, force using impact weapons and deadly force, which most of the officers mentioned before fell into this stage. The deadly force stage is only to be used only when an officers life or another persons life is in danger. The deadly for ce stage should be terminated, if not made illegal in the United States. By having the deadly force stage, by law you are permitting someone to commit a murder, and basically saying that it is just. In many of the cases stated before these guidelines were violated, and stronger action was used on the citizen than necessary. The officers who were accused in these cases were charged with only minor offenses, and some were charged with nothing at all. Stronger action should have been enforced on the police officers that committed these crimes. All of these victims mentioned are from minority groups, and were harmed by white New York City police officers. In less than four years fifty -five people have died while in being in police custody, in the New York City Police Department (Police Brutality and Excessive Force in the New York City Police Department 8). This number compared to earlier statistics seems to be low, but still seems extremely high, for the rules and regulations the offi cers are supposed to be following. Should the Federal Government increase the punishment on law enforcement officials who brutally hurt citizens that are in custody, or under arrest? Many law enforcement officials appear to have a tough exterior towards crime, but are very sensitive to crime on the inside. Police officers build up negative feelings towards certain races, sexes, or religions. Officers tend to get the impression that if one or a few people treat them with disrespect, than other people of that same sex, race, or religion will treat the officer in the same way. It is has proven that less than five percent of all cops are the bad element, but if they other ninety five percent stand around and do nothing, then that is where the real problem lies (Worsnop 636). Another cause of police brutality and misconduct is the amount of stress that is put upon the law enforcement official. According to Robert Scully who is the president of the National Association of Police Organizations in Detroit, There obviously has to be some kind of stress factor at work in brutality cases because stress is an inherent part of policing.(Worsnop 636). A survey